FLORA

It’s all been done. And yet it’s never done.

The Prussian photographer Karl Blossfeldt (1865-1932) shot black-and-white close-ups of plant forms—ornate, brooding images on the far edge of botanical documentation.

In 1932, Ansel Adams shot a rose blossom on a piece of driftwood, and they called it art.

Today, calendar photographers shoot flowers in the loudest possible colors, bless their hearts, and earn a living.

If we ascribe a purpose to photography—scientific tool, art object, commercial product, etc.—then shooting flowers is banal, one of the least promising things to do.

But if you are a photographer trying to attend to the world purposelessly, with a quiet mind, then it turns out that flowers, too, are still speaking to us—regardless of what convention tells them to do—because, as saints and sages round the world declare, the doorways to the radiant Present are everywhere, in every dust mote, and are everywhere ajar.

That is why Tolstoy said love at first sight is the only way we ever really fall in love.

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Close-up photo of gourds at a vegetable stand in Five Islands, Maine
PUMPKINS
 
Close-up photo of rocks and lichen on the beach at Two Lights State Park in Cape Elizabeth, Maine
LICHEN
 
Photo of a vast carpet of Queen Anne's lace in high summer at Crystal Spring Farm in Brunswick, Maine
QUEEN ANNE'S LACE
 
Photo of water lilies in a roadside pond on Westport Island, Maine
WATER LILIES




Photo of water lilies on a stream in Durham, Maine
MORE WATER LILIES
 
Close-up photo of a backlit sunflower in Bath, Maine
SUNFLOWER
 
Close-up photo of a bearded iris in Harpswell, Maine
IRIS
 
Close-up photo of a dahlia in Brunswick, Maine
DAHLIA




Close-up photo of a dahlia in Brunswick, Maine
DAHLIA AT A FUNERAL HOME
 
Close-up photo of a peony in Harpswell, Maine
PEONY
 
Close-up photo of a spent dandelion in Cundy's Harbor, Maine
DANDELION RUINÉ
 
Close-up photo of painted daisies at a garden shop in Brunswick, Maine
ODILON REDON

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